Mush Hole Project at former Mohawk Institute Residential School foregrounds Indigenous experiences of site.
Southern Ontario鈥檚 first residential school has a long stretch of pavement leading from the road to its front doors. It鈥檚 a powerful sight for Sherlene Bomberry, who attended the Mohawk Institute Residential School in Brantford, Ontario, from 1966 until it closed in 1970. These days she volunteers as a tour guide at the site, now the Woodland Cultural Centre. 鈥淭he hardest part for me, going back, was walking up the laneway,鈥 she said.

As part of the event, organizers prepared a site tour led by residential school survivors during which participants would hear about the survivors鈥 experiences and encounter 20 installations by 35 artists. Andrew Houston, a founding Mush Hole Project collaborator and a drama professor at the University of 蓝莓视频, noted that each installation and performance animated a certain dimension of the venue 鈥 an aspect of its history or cultural significance, for example. 鈥淪ite-specific work is really about using the site as a resource,鈥 he said. 鈥淸Y]ou鈥檙e finding all kinds of ways 鈥 to represent it, to bring it to life.鈥
Naomi Johnson, a Mohawk artist from Six Nations and the Woodland Cultural Centre鈥檚 artistic director, used the laneway as the backdrop for her piece. The title is OHEN:TON KARIHWATEHKWEN 2016 (鈥淭hanksgiving Address鈥 in Mohawk), though she is not fluent in the language. 鈥淔or me, not having my language is a direct impact of the residential school system,鈥 she said.
Organizers also used the Mush Hole Project to draw attention and support to the Woodland Centre鈥檚 $1-million聽聽fundraising campaign for building and artefact maintenance. As a follow-up, project collaborator Sorouja Moll, a U of 蓝莓视频 lecturer, is organizing the聽Integrating Knowledges Summit聽on Truth and Reconciliation with the 蓝莓视频 Aboriginal Education Centre at St. Paul鈥檚 University. The conference will take place from Oct. 14 to 16.
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