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URL:/peace-conflict-studies/events/grebel-gallery-artis
 t-meet-and-greet
SUMMARY:Grebel Gallery: Artist Meet and Greet
CLASS:PUBLIC
DESCRIPTION:Summary \n\nThe Grebel Gallery\n[/centre-p
 eace-advancement/grebel-gallery/about] invites\nthe public to meet artist
  Mary Kavanagh as she presents her\nexhibition\, _Trinity\, Then and Now\
 n[/grebel/events/trinity-then-and-now]._ This\nstirri
 ng exhibition examines the long-lasting impacts of the Trinity\natomic bom
 b test\, which took place on July 16\, 1945 in the desert of\nNew Mexico. 
 Mary has dedicated her work to the investigation of the\nlegacy of nuclear
  testing.\n\nCome to the Gallery on November 8 from 6:30 pm to 8:30 pm to 
 join Mary\nand the community for an evening of conversation\, connection\,
  and\nreflection.\n\nRefreshments and snacks will be provided.\n 
DTSTAMP:20250522T033516Z
END:VEVENT
BEGIN:VEVENT
UID:682e9b749550d
DTSTART;VALUE=DATE:20230125
SEQUENCE:0
TRANSP:TRANSPARENT
DTEND;VALUE=DATE:20230126
URL:/peace-conflict-studies/events/cpa-exhibit-opening-
 your-wall-cannot-divide-us
SUMMARY:CPA Exhibit Opening: Your Wall Can(not) Divide Us
CLASS:PUBLIC
DESCRIPTION:Summary \n\nThis interactive exhibition features photos of stre
 et art pieces from\na range of conflict-affected societies and an opportun
 ity to leave\nyour own ‘mark’. Street art makes an important contribut
 ion to\nunderstanding local conflict dynamics and visions of peace. Street
  art\ntells narratives about everyday concerns and opinions\, where multip
 le\nand often contradicting narratives by different artists and\ncommuniti
 es can be publicly viewed. This holds value in situations of\nconflict and
  censorship\, as art can talk about issues that have no\nspace in the main
 stream political discourse.\n\nStreet art can have a range of different fu
 nctions – some are\ndisplayed in this collection. These functions can bo
 th contribute to\npeace and social change\, but also to foster or underlin
 e conflict and\ndivision. Functions that can be seen in this exhibit inclu
 de\nresistance\, political communication\, identity expression\,\nmemorial
 isation of events or people\, and inspiration. \n\nThis exhibition has bee
 n curated by the International Consortium for\nConflict Graffiti (ICCG) wi
 th Peace and Conflict Studies students\, Zoe\nBeilby and Christine Faber.\
 n 
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UID:682e9b7495f4a
DTSTART;VALUE=DATE:20230425
SEQUENCE:0
TRANSP:TRANSPARENT
DTEND;VALUE=DATE:20230426
URL:/peace-conflict-studies/events/cpa-exhibit-opening-
 your-wall-cannot-divide-us
SUMMARY:CPA Exhibit Opening: Your Wall Can(not) Divide Us
CLASS:PUBLIC
DESCRIPTION:Summary \n\nThis interactive exhibition features photos of stre
 et art pieces from\na range of conflict-affected societies and an opportun
 ity to leave\nyour own ‘mark’. Street art makes an important contribut
 ion to\nunderstanding local conflict dynamics and visions of peace. Street
  art\ntells narratives about everyday concerns and opinions\, where multip
 le\nand often contradicting narratives by different artists and\ncommuniti
 es can be publicly viewed. This holds value in situations of\nconflict and
  censorship\, as art can talk about issues that have no\nspace in the main
 stream political discourse.\n\nStreet art can have a range of different fu
 nctions – some are\ndisplayed in this collection. These functions can bo
 th contribute to\npeace and social change\, but also to foster or underlin
 e conflict and\ndivision. Functions that can be seen in this exhibit inclu
 de\nresistance\, political communication\, identity expression\,\nmemorial
 isation of events or people\, and inspiration. \n\nThis exhibition has bee
 n curated by the International Consortium for\nConflict Graffiti (ICCG) wi
 th Peace and Conflict Studies students\, Zoe\nBeilby and Christine Faber.\
 n 
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DTSTAMP:20250522T033516Z
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