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Come join us for twoÌýlovely evenings of classical music. ÌýSixÌýdifferent ensemble groups will play a selection of pieces, three on Sunday and three on Monday. Selections include pieces by Beethoven, D'Indy, Schumann, Mozzart, Glinka, and Poulenc. ÌýWe even have a brass trio this term. ÌýBen Bolt-Martin, the principal cellist for the Stratford Festival Orchestra,Ìýis the director. ÌýFree admission, with a reception to follow.

Everett Hopfner, well known pianist from Manitoba, will be playing a selection of Canadian pieces.Ìý
Pieces include:
Piano Sonata No. 1; L. Enns
The Arrow of Time; E. Enman
Preludes & Afterthoughts: D. Finch

Composer Eric Ross will be playing an instrument called a Theremin, accompanied by video art designed by Mary Ross.

The Michael Wood Trio will play a selection of jazz classics. ÌýMichael Wood on vibraphone, Ted Warren on drums, and Mike McClennan on bass.

Founded while its members were still students, the Toronto Percussion Ensemble has been amazing and delighting audiences since 1980 with its unique combination of collective virtuosity and relaxed stage manner. A Toronto Percussion Ensemble concert brings together music of the distant past with music of the here and now, global music with local traditions, and the familiar with the wonderfully exotic.
John Brownell, David Campion, Mark Duggan, and Beverley Johnston are appearing for the 5th time at a Grebel Noon Hour concert.

Scotland's most celebrated composer,ÌýÌýwill be the 2016 Rod and Lorna Sawatsky Visiting Scholar.Ìý

A trio consisting of Catherine Robertson (piano), Andrew Chung (violin), and Ben Bolt-Martin (cello), will be performing. Ìý

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Scotland's most celebrated composer, SirÌýJamesÌýMacMillanÌýwill be the 2016 Rod and Lorna Sawatsky Visiting Scholar.ÌýHis musical language is flooded with influences from his Scottish heritage, Catholic faith, social conscience and close connection with Celtic folk music, blended with influences from Far Eastern, Scandinavia

Kathryn Ladano,Ìýbass clarinet and Richard Burrows, percussion.

This is the final of the "68" Haydn String Quartet concerts. The title refers to the 68 string quartets that Haydn wrote over the course of his life. Each exhibits its own unique characteristics and compositional techniques. The members of the Attacca QuartetÌýhaveÌýbeen so captivated by these works that it feltÌýonly natural to feature a number of Haydn string quartets as an entire program, as opposed to the usual tradition of hearing only one as a concert opener.

Franz Joseph Haydn
Op 54, No 3
Op 76, No 5